Adobe 65110418 Fiche technique télécharger pdf (Page 2)

Adobe Aer Eects CS5.5 What’s New

Who uses Aer Eects?

Motion graphics designers and visual effects artists use After Effects to produce intricately

designed short-form content such as TV commercials, broadcast graphics, and film titles, and to

create a wide range of visual effects shots. After Effects is able to handle virtually any animation

and compositing task, and offers timesaving integration with other essential tools—Adobe

Photoshop and Illustrator software, the video editing software Adobe Premiere Pro, and 3D

modeling applications such as Maxon CINEMA 4D and Autodesk Maya. A rich ecosystem of

third-party plug-ins means highly specialized solutions are readily available.

Video editors and other post-production professionals use After Effects to complement

nonlinear editing tools such as Adobe Premiere Pro because it offers an efficient, well-integrated

solution for delivering higher production values. When designing attention-getting show openers,

lower thirds, and other types of motion graphics, After Effects offers timesaving presets and

templates as well as the ability to refine virtually every aspect of every design element. Video

editors also use After Effects for a wide variety of post-production tasks, including color correction,

motion tracking and stabilization, and keying and rotoscoping.

Interactive designers turn to After Effects because it offers flexible tools they can use to prepare

dynamic media that integrates well with interactive projects and the tools used to create them.

Whether they’re creating videos with transparent backgrounds that can be composited with other

elements in real time in Flash® Player, designing snippets of persistent motion that add richness to

an interactive experience, or creating visually distinctive text animations, interactive designers

benefit from tight integration between After Effects and Adobe Flash Professional software.

Top new features of Adobe Aer Eects CS5.5

Smooth a camera move with Warp Stabilizer

Handheld footage is often shaky, with distracting motion artifacts, and it’s simply not practical to

use a counter-balanced camera rig or keep a dolly or crane ready for every moving shot. Warp

Stabilizer provides an innovative solution that makes hand-held footage look as if it had been shot

with a complicated, expensive camera rig. It can even use pixel analysis to resolve artifacts related

to motion and parallax. You can’t stabilize a shot without scaling somewhat to compensate for

missing areas of frame, but this new approach requires less zooming than most available

alternatives. You can use Warp Stabilizer either to smooth the existing motion of a camera while

preserving the movement, or to create a locked-off shot, with no camera movement whatsoever.

You can see a preliminary result in just one step: Apply Warp Stabilizer to the source layer, and let

After Effects perform analysis and stabilization. Analysis begins automatically without the need to

set tracking points or make any decisions whatsoever. Stabilization progress is displayed onscreen

in a two-step process, first analyzing and then stabilizing; once the second step is complete, the

result is ready for immediate review.

But Warp Stabilizer doesn’t just smooth the motion of the camera. It also will remove motion

artifacts that otherwise remain after stabilization. Warp Stabilizer processes individual areas of the

frame separately to compensate for parallax. If these corrections are not desired, other modes can

be used to stabilize only perspective, or scale and rotation, or even just position.

Top new features

•SmoothacameramovewithWarp

Stabilizer(Page2)

•Createbeautifulso-focuseects

withCameraLensBlur(Page3)

•Taketheguessworkoutofedits

withsourcetimecodesupport

(Page4)

•Eortlesslyestablishastereoscopic

3Dworkow(Page5)

•Controllightintensityfallo

(Page6)

•Workwithmorehigh-denition

sourceformats(Page6)

•MakeuseofadditionalLUTs

(Page7)

•ExportXDCAMEXfootage(Page7)

•Collaborateeasilywithcolleagues

stillusingAerEectsCS5(Page7)

•Benetfromsmallchangesthat

makeabigdierence(Page7)

Warp Stabilizer oers you a good deal

of control over the automated result

without the need for any actual

keyframes in the timeline. e Subspace

Warp option, chosen by default,

performs pixel analysis to correct for

motion artifacts. is correction is

necessary to complement the change in

perspective that results from

stabilization, which changes parallax

within the shot.

1 2 3 4 5 6 7 8

Commentaires sur ces manuels

Pas de commentaire

Adobe 65110418 Fiche technique Page 2

Commentaires sur ces manuels

Produits connexes et manuels pour Logiciel vidéo Adobe 65110418